巫鸿先生的《中国古代艺术与建筑中的“纪念碑性”》用一种观念(“纪念碑性”)对中国几千年间(新石器时代晚期到六朝)的礼仪建筑和艺术品进行了分析和解释,涉及政治、宗教、思想、习俗等诸多方面,固然是大手笔,读起来引人入胜。但仔细思考,其中对一些问题的研究便显得牵强。一些问题的说明缺少有必然联系的逻辑和证据,感 Wu Hong's Monuments in Ancient Chinese Art and Architecture Monographs and Art of China for Thousands of Years (Late Neolithic to Six Dynasties) with a Concept (“Monumentality”) Commodities were analyzed and explained, involving politics, religion, thought, customs and many other aspects, although generous, read fascinating. However, after careful consideration, the study of some of these issues becomes far-fetched. The explanation of some problems lacks logic and evidence that have the necessary connection