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在崔凯这个年纪的一代人中,他搞创作应该算是早的。这不像现在,中学生,甚至小学生都已经开始执笔写作、发表文章,有的且出书了。当然,小时了了,大未必佳。而就我看来,有的小时也未必了了,这其中有很大的人为包装成分。而在那个时代,在“四人帮”还没有被粉碎的时候,20岁发表作品应该是很早的年龄了。我1973年调入朝阳县文化馆时,同创作室内的一位姓孙的老同志就向我推荐过崔凯的作品,那时崔凯的许多富有生活气息的曲艺作品经常出现在省一级的报刊杂志上,他在省内已有一定的知名度了。我当时年纪尚经,才20几岁,心想崔凯一定像孙那样也是位老同志吧。可是后来到了沈阳才知道,崔凯其时乃比我还年轻一弱冠青年。以我那时对曲艺的了解,我很难断定崔凯当时在辽宁曲艺界的地位,很难对他当时的艺术成就做出一个恰当的评价。可是现在,我,而且不光是我,只要是对当今非常走红的小品的演出以及创作情况
In the generation of Cui Kai this generation, he engaged in creation should be considered early. This is not like now, middle school students, and even primary school students have started to write writing, published articles, and some published. Of course, it’s an hour, not necessarily good. In my opinion, some hours are not necessarily, of which there is a lot of artificial packaging components. At that time, when the “Gang of Four” had not yet been smashed, the work published at the age of 20 should have been very early ages. When I transferred to the Cultural Center in Chaoyang County in 1973, I introduced the work of Cui Kai to me, a comrade with the surname Sun, who was a writer of the interior. At that time, many Cui Kai’s lively pieces of folk art often appeared at the provincial level Newspapers and magazines, he has a certain reputation in the province. I was still old, only 20s, I thought Cui Kai must be the same as Sun is an old comrade it. But then came to Shenyang to know that Cui Kai was younger than I was a young champion. With my understanding of folk art at that time, it is very hard for me to conclude that Cui Kai was in the position of folk art circle in Liaoning at that time. It is hard to make a proper evaluation of his artistic achievements at that time. But now, I, and not only me, as long as the performance of today’s very popular sketch and creation