出于对山水画理论及中国海洋画研究的需要,笔者重读郭熙“三远”、韩拙“三远”及其相关画论文献,重点对韩拙“三远”及其与当代中国画的创新与发展的关系作了分析研究,发现韩拙“三远”及其母体文献《山水纯全集》所论及的山水气象环境对中国画意境的创新和画面景深的突破都具有不寻常的超时代 Due to the need of the research of landscape painting and the research of Chinese marine painting, the author reread Guo Xi ’s “Three Yuan ”, Han Zhuo “Three Far ” and its related painting theory, It is analyzed and studied with the relationship between the innovation and development of contemporary Chinese painting. It is found that the innovation of the artistic conception of landscape painting and the breakthrough of the depth of field in the landscape and meteorological environment mentioned by Han Zhuosu and “San Yuan Chun Quan Quan” Have an extraordinary era of ultra-era