论文部分内容阅读
崔志安的画已经不是传统的那种花鸟画的语言了,而是在保持了传统原有特征的前提下的多种艺术元素的综合体。崔志安的花鸟画融合了国画、书法、油画、版画、壁画、水彩画等多个画种的技法语言,使他的画面图式与传统花鸟画远远地拉开了距离,散发着强烈的现代气息。就崔志安来说,他对各个画种的整合利用,为他画面境界的形成和情怀的抒发起了极好的促进作用。尤其是他画面中的强烈的色彩感,摄人耳目,震颤心魂,给人一种很强的视觉享受。这种复杂的语汇我将他概括为三句话:以色彩为主调的彩墨协奏,以工笔为主干的工写结合,以写实为主风的“实”、“变”交融。
Cui Zhian’s painting is no longer the language of the traditional bird and flower painting, but a complex of various artistic elements under the premise of preserving the traditional original features. Cui Zhian’s flower and bird paintings combine the techniques of Chinese painting, calligraphy, oil painting, printmaking, mural painting and watercolors with a variety of techniques to make his pictorial images far away from the traditional flowers and birds paintings, exuding a strong modern flavor . For Cui Zhian, his integration and utilization of all kinds of paintings played an excellent role in promoting the formation of his screen realm and the expression of his feelings. Especially in his picture of a strong sense of color, breathtaking, tremor soul, giving a strong visual enjoyment. This complicated vocabulary I summed him up for three sentences: color ink concerto of the main tone, with writing and writing as the backbone of the combination of realism as the main style of the “real”, “change ”blend.