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上世纪50—70年代,少数民族小说对主流文化的一体化认同,固然有被他者所规范的一面,但更是少数民族作家自我主动认同的结果。因为民族作家的阶级出身、人生经历、所受的文化教育、所处的时代氛围和文学背景等,都使他们对当时的主流文化身份不能不产生一种发自肺腑的认同。因此,在文化身份叙事方面,他们的小说便体现出一种对主流文化的一体化认同特征。这既有积极价值又有消极影响,对当今的民族文化建设和时代文化建设有着诸多有益的启示。
During the 1950s and 1970s, the integration of minority novels to mainstream culture is certainly regulated by the other, but it is also the result of the self-initiative of ethnic minority writers. Because of the class origin of national writers, their experiences in life, the cultural education they received, the atmosphere of the times and the literary background, all of them make their own recognition of mainstream cultural identity at that time. Therefore, in the context of cultural identity narrative, their novels embody an integrated identity of mainstream culture. This has both positive and negative influences and has many beneficial implications for the current national culture construction and the construction of the times.