抒情小赋始于汉末,兴盛于魏晋六朝,因处于文学的醒觉时期,小赋得到了充分的发展,其代表作是曹植《洛神赋》。而文赋是出现于中晚唐至宋代的赋体,具有不同于其他赋体的散文化特点,其代表作杜牧为《阿房宫赋》。本文取其两赋作为研究对象,比较汉代小赋与唐代文赋在思想内容及语言特色方面的异同。一、前言本文以曹植《洛神赋》和杜牧《阿房宫赋》为例,比较汉代小赋与唐代文赋在思想内容及语言特色方面的相同及相异之处, Lyrical Xiaofu started in the late Han Dynasty and prospered in the Wei, Jin and the Six Dynasties. Due to the awakening of literature, Xiao Fu was fully developed. His masterpiece is Luo Zhi Fu by Cao Zhi. Wen Fu appeared in the middle and late Tang Dynasty to the Song Dynasty, with different characteristics of prose and prose, with his representative Du Mu as “A Fang Gong Fu.” This article takes two sets of Fu as the research object, compares the similarities and differences between the Xia Fu of the Han Dynasty and the Fu of the Tang Dynasty in terms of ideological content and language features. I. Preface This paper takes Cao Zhi’s “Luo Shen Fu” and Du Mu’s “Fang Fang Fu” as an example to compare the similarities and dissimilarities between the Xiaofu and the Fu in the Tang Dynasty in the ideological content and language features,