一股“淡风”刮向广东的粤剧舞台,这个“老古董”剧种的演出活动出现了解放以来少见的低潮。曾几何时,当一批“古人”随着声讨“四人帮”文艺专制主义的吼声重登粤剧舞台后,人们争相观看久违了的传统戏,盛况空前。广州市1978年全年便演出了1124场粤剧,平均上座率达97.4％。可是好景不长,一股由弱渐强的“淡风”从1981年便开始吹起来了,虽然当 A “light wind” scraping Guangdong’s Cantonese opera stage, the performance of this “old antiques” drama appeared a rare low ebb since liberation. Once upon a time, when a group of “ancients” re-entered the arena of Cantonese opera with the roar of the “gang of four” on art and literature despotism, people competed to watch the long-lost tradition of traditional opera. In 1978, Guangzhou performed 1124 Cantonese opera performances with an average attendance of 97.4%. However, the good news is not long. An “impenetrable light” gradually intensified from the beginning in 1981, though when