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韩天衡作为21世纪传统创新型的艺术家,他的篆刻和书法创作为后来的花鸟画作了过渡和准备,金石和书法的铺陈布局:疏可走马、密不透风、险绝平奇、计白当黑、大开大合等在他绘画中的变通和再造,对他花鸟画个人面貌形成具有不可忽视的意义。他以自身的理解融合古法,在诗书画印的结合中找到了韩氏花鸟画总体表现系统,拓出一片崭新的视域。一、花鸟画领域的多年积淀早在1963年韩天衡便追随谢稚柳先生,受谢老明丽俊逸、形神兼备的绘画风格影响,曾对宋元的花
As a traditional and creative artist in the 21st century, Han Tianying made the transition and preparation for the subsequent flower and bird painting. The arrangement of stone and calligraphy was as follows: , Open and congruent in his painting work and recreation, for his personal appearance of flowers and birds have a form that can not be ignored. He fused the ancient method with his own understanding, and found the overall performance system of Han’s bird and flower painting in the combination of poetry, calligraphy and painting, and expanded a brand-new perspective. First, the field of many years of bird and flower painting As early as 1963, Han Tianheng will follow Mr. Xie Zhiliu, thanks to the old and the Ming Li Jun Yi, shape and spirit of both painting style influence,