屈学肇始于西汉初年,屈原悲剧性的人格光芒使历代学者们沉潜于此,剔抉爬梳,探赜索隐。屈原作为中国悲剧文化的先躯,其人格是中国文人悲剧人格的预演,而他的悲剧结局也正是后世文人所不愿遇见和触碰的。五四新文化运动的前夜,爱国的文人志士遇着了枪炮,制度和思想不如他人之时代,潜在又急迫的文化心理,导致认为艺术肯定也是 Qu Xue began in the early years of the Western Han Dynasty, Qu Yuan’s tragic personality of light so that scholars of all ages submerged in this ticking Jishang comb, explore the mystery. As the forerunner of Chinese tragedy culture, Qu Yuan’s personality is a rehearsal of the tragedy personality of the Chinese literati, and his tragic ending is precisely what the later literati would not want to meet and touch. On the eve of the May Fourth New Culture Movement, patriotic patriots encountered guns, systems and thoughts were inferior to those of others, and the potential and urgent cultural psychology led to the belief that art was also affirmed