完成一个戏曲剧本,不论剧作者在构思结构时是否“袖手于前”,在运用程式上有无“徘徊于后”,就一般来讲,只要剧本还未进入排演场,大家接触到的也只能是平面的文学语言;即或剧本搬上舞台,观众在欣赏表演的同时,耳目所及,仍不外乎经过“音乐化”表现为唱念形式的舞台语言。语言,在这里几乎超越于结构之前、凌驾于程式之上,而成为读 The completion of a drama script, no matter whether the dramatist in the structure of the structure is “at arm's length” in the use of programs whether there is “hovering behind”, in general, as long as the script has not yet entered the rehearsal, we come into contact with Can only be a literary language; even if the script is put on the stage, the audience can enjoy what they see when they enjoy the performance, which is still nothing more than a stage language expressed through “musicization” as a singing style. Language, here almost before the structure, above the program, and become read