历史和现实,虚构与真实《花腔》是一部多文本互动的作品,可称得上是李洱一次花腔式的写作。如果从复制、拼贴的后现代写作技法的角度去看待李洱的这一次出击,并无多少可圈点之处,甚至有步人后尘仿制之嫌。将口述实录、谈话笔录、媒体报道、文章摘抄、史料剪辑等名目繁多的文本片段连缀成一部作品的创作手法,我们已不陌生。只是李洱的兴趣不在此,他在意的是以多样文本拼贴的方式, History and Reality, Imaginary and Real “Flower Chamber” is a multi-text interactive work that can be described as a flower-type writing by Li Er. If from the copy, collage postmodern writing techniques point of view Li’er this attack, there is not much that can be made of, or even suspected of imitation. We are no strangers to portraying a wide range of textual passages such as oral transcripts, transcripts of transcripts, media reports, excerpts of excerpts, and historical material clips into a single piece of work. Only Li Er’s interest is not here, he cares about the way in a variety of text collage,