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乐舞百戏画像石作为丧葬艺术品中一个题材,在汉代文化的深远影响下表现出极其复杂的内涵,且由于不同的地域差异与不同的民俗文化,都形成了各自独特的风格特征。无论在北方还是南方,乐舞百戏纹饰用于汉墓室作装饰都是人类在思索生死永恒主题时常见的题材,它的内容丰富、形式多样。因为南北文化有着不同的发展里程和特点,所以两者画像刻画在墓室的艺术特色和表现形式存在着差异性。
As a theme of funeral artworks, the music and dance drama of the hundred plays shows extremely complicated connotations under the far-reaching influences of the Han culture and has formed its own unique style characteristics due to different regional differences and different folk cultures. No matter in the north or the south, the music, dance and ballet decoration used in the decoration of the Han tomb are all common themes in the contemplation of the eternal theme of life and death, which is rich in content and diverse in form. Because of the different developmental milestones and characteristics of North and South cultures, there are differences in the artistic features and manifestations of portraits between the two portraits.