(一) [A] 美国美学家李普曼说:“审美经验本身尽管不是物质的,却是物质条件的产物。”而美学家海德格尔说:“享誉甚高的审美体验也难以摆脱艺术品的物性……音乐作品在音响里存在……艺术作品中的这物性仿佛是一个屋基,那别的什么和本真的东西就筑于其上”。对于音乐这以时间中鸣响的乐音为事本体艺术来说,它的审美体验的本质肯定在于乐音这物质材料的微观层次中。 (A) [A] American aestheist Lipman said: “Aesthetic experience itself, though not material, is a product of material conditions.” And esthetician Heidegger said: “The highly acclaimed aesthetic experience is also hard to get rid of. The physical properties of the goods ... Musical works exist in the audio system ... The physical property in the works of art is like a house, on which nothing else and genuine things are built. ” For music, the sound of time-honored music is the art of ontology, the essence of its aesthetic experience must lie in the micro level of musical material.