初秋,上海莫千山艺术区一隅,“镜像——印记”——鞑仁个展在劳拉麦艺术空间悄然开幕,呈现出艺术家鞑仁对于“指纹”这一人类符码的多维思考,以此产生的多媒介作品包括有:烙烧绘画、装置作品及综合雕塑,展现出其旺盛的创新状态和技术手法。由于画廊建筑内部保留了朴拙的质感,鞑仁制造的这些新作又多以牛皮纸、瓦楞纸及镜面钢板等为主体媒材,作品与展厅空间便有了一种相似的“硬”感,因而使得现场看去,两者能够很好地互相般配、协调。 In the early autumn, a corner of the Mo Qiushan Art Zone in Shanghai, “Mirror - Imprint” - Tartan solo exhibition quietly opened in the Laurama Art Space, showing the artist Tartary’s multidimensional interpretation of the “fingerprint” Thinking, resulting in multi-media works include: burn burning paintings, installation works and comprehensive sculpture, to demonstrate its strong state of innovation and technical means. Due to the pristine texture of the interior of the gallery building, these new works made by Tarteen mainly use kraft paper, corrugated paper and mirror steel plate as the main medium, and there is a similar sense of “hardness” in the exhibition space. Thus making the scene look, the two can be well matched with each other, coordination.