从美术史研究的角度来看,在近现代中国画从古典形态向现代形态的转变中,大致有四种类型:一是以齐白石、黄宾虹为代表的传统精进式;二是以徐悲鸿、蒋兆和为代表的中西古典融合式;三是以林风眠为代表的中西现代融合式;四是以赵望云、关山月等倡导并身体力行的直面现实的艺术写生式。尽管在如何改变中国美术转变进程这个问题上,这几种类型在目前的学术讨论中都有争议,但不可否认的是, From the perspective of the study of art history, there are roughly four types of Chinese painting in the transition from classical forms to modern forms in modern history: the first is the traditional refined style represented by Qi Baishi and Huang Binhong; the second is the typical style represented by Xu Beihong and Jiang Zhaohe Chinese and Western classical fusion; the third is Lin Fengmian represented by modern Chinese and Western fusion; the fourth is Zhao Wang Yun, Guan Shanyue and advocate and practice the face-to-face art style. Although these types of issues are controversial in the current academic discussions on how to change the course of Chinese art’s transformation, it is undeniable that,