纵观自上世纪30年代以来的中国电影作品,“民族”这一概念始终是其重要内容之一。其中,又有两个层面的内容:涉及电影美学的艺术本体层面和社会学的功能价值层面。关注美学传统和关注历史责任,这样的两种倾向,各自在不同的时期里表现不一,但 Throughout the Chinese film works since the 1930s, the concept of “ethnicity” has always been one of its major contents. Among them, there are two levels of content: the art noumenal dimension of sociology of film and the functional value of sociology. Concerned about the aesthetic tradition and the historical responsibility of concern, these two tendencies, each at different times, behaved differently