1973年,加布里埃尔·阿克赛尔遭受了作为艺术家所遇到的挫折,他担心自己不能登上其创作领域的顶峰。在其出生地丹麦和“收养”他的法国,他都已建立了坚实的基础。作为熟练的技术人员和有能力的导演,他与戏剧、电视和电影演员都能很好地合作。但是,55岁的他,担心不会有机会冲破极限,拍摄出一部艺术杰作。这一年的一天上午,他坐在哥本哈根郊外家里的书房内,手拿一本丹麦作家卡琳·布里克森(其笔名伊萨克·迪纳森更为人所熟知)写的一本小说。不一会,他就被书中的情节所吸引。书中写的是一位19 In 1973 Gabriel Axel suffered setbacks as an artist who feared he could not get to the top of his creative field. He has established a solid foundation in Denmark, where he was born, and in France, where he adopted him. As a skilled technician and competent director, he works well with theatrical, television and film actors. However, at 55, he feared he would not have the chance to break through the limit and shoot a masterpiece of art. One morning this year, he was sitting in the study room at his home on the outskirts of Copenhagen, holding a novel written by Danish author Carlene Brixen (whose pseudonym Iskar Dinaton is more familiar) . A short while later, he was drawn to the plot in the book. Written in the book is a 19