“舞台小世界,世界大舞台”。一大一小,道出了戏剧艺术的高度概括和浓缩。而要实现这样的概括和浓缩,古今中外的戏剧艺术家们无不在象征性上下功夫。“象征”运用得好坏,也就成为评价一部戏剧的重要标准。纵观众多剧作家和他们的作品,大多只是在场景、道具或意境等方面局部运用 “Stage small world, the world stage.” One young and one small, the drama outlines a high degree of generalization and concentration. However, in order to achieve such a generalization and concentration, theater artists both at home and abroad have been making symbolic efforts all the time. The use of “symbolism” has become an important criterion for evaluating a drama. Looking at many dramatists and their works, most of them are only partially used in scenes, props or moods