布依戏,为国家公认的十八种少数民族剧种之一,流行于黔南、黔西南的南盘江流域布依族聚居的册亨、安龙、兴义等县。布依戏最早从祭祀仪式中的跳神活动中孕育出来,受广西壮剧和湖南花鼓戏、端公戏的影响,在布依八音、八音坐唱的基础上,逐渐由歌舞演唱形式演变成集音乐、舞蹈、器乐、杂技为一体的综合性艺术表演形式。一、布依戏的历史渊源自古以来,汉族、苗族集聚地跳端公很盛行。布依族与汉族、壮族、苗族居住地区毗连,有的甚至杂居一处,经济生活、文化生活等方面密切交往,跳端公等祭祀仪式随即传播,并成为布依族民间民族文化的一个重要组成部分。为了适合布依族的需要,布依“摩公”跳神使用了本民族的语言、歌舞、音乐、打击乐,表演来自布依族宗教祭祀的经咒、傩仪故事、古歌和说唱艺术,突出了布依族的地方特色 Buyi opera is one of the 18 national minority operas widely recognized by the country. It is popular in counties such as Shuiheng, Anlong and Xingyi in the Nanpanjiang catchments in Qiannan and Qianxinan counties. Bu Yi opera was first conceived from the sacrificial rituals in the activity of God conceived, by the Guangxi Zhuang opera and Hunan flower drum drama, Duan play, based on the Buy octave, octave sitting sing, gradually evolved from song and dance form into music , Dance, instrumental music, acrobatics as one integrated form of artistic performance. First, the historical origins of Bouyei Opera Since ancient times, Han and Hmong gatherings to jump the end of the public is very popular. Buyi people and the Han, Zhuang and Miao living area adjoining, and some even living in a mixed, economic life, cultural life and other aspects of the close contacts, jump-end public sacrificial ritual immediately spread and become an important part of Bouyei ethnic culture . In order to meet the needs of the Buyi ethnic group, Bu Yi “Mogong ” jumped to his gods and used the language, song and dance, music and percussion of his own nation to perform the mantra, fairy tale, ancient songs and rap art from the religious sacrifices of the Buyi people. Buyi ethnic characteristics