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随着人们审美的多元,国画创作在题材内容上呈现出多样化,其中以建筑为主体的国画创作也占相当比例。笔者从空间、时间、性灵、气韵、意境方面来探讨建筑题材国画创作的精神基点,这是传统艺术审美的基点,是无论哪一时代何种风格都应遵循的。
With the diversity of people’s aesthetics, traditional Chinese painting presents diversification in the content of the theme, of which the traditional Chinese painting with architecture as the main body also occupies a considerable proportion. The author explores the spiritual basis of traditional Chinese painting from the aspects of space, time, spirit, temperament and artistic conception. This is the basic point of aesthetic appreciation of traditional art, and it should be followed no matter what time style.