许氏《说文》曰汉兴而有草书,而作者为谁,无从知晓。至章帝时,齐相杜度号善作篇。后有崔瑗、崔定二人,亦皆称工,杜氏杀字甚安,而书未能举。崔氏甚得笔势且书体甚浓,唯结字工巧,流于小疏。弘农张伯英者,脱去旧习,因而转精甚巧。草书之体势,一笔而成,偶有不连,而血脉不断,及其连者,气脉通于隔行。又草书其功邻乎篆籀,探于万象,取其元精,至于形似,最为近也,盖古人提笔作文,皆自腕下流出。历代固有之,今人多效仿,或亦步亦趋,毫无变通,或多有思索,暗自较力。光辉较力,于此心无旁骛,兼功并用,发力于祝允明,得力于黄山谷,笔意 Xu’s “Said the text,” said Han Xing cursive, and the author, no one knows. To Zhangdi, Qi Du Duhao good writing. Cui later, Cui Ding two, also known as workers, Du Shi murder very safe, and the book failed to cite. Cui very gestures and books very thick, only knot clever trick, flow in a small sparse. WONG farmers Zhang Bo-ying, take off the old habits, and thus refined fine. Cursive body posture, a stroke, occasionally not connected, and the continuous veins, and its associated, the pulse of gas interlaced. And cursively, its function is close to seal 籀, explore Vientiane, take its essence, as the shape, the most recent also, cover the ancients to mention pen composition, all from the wrist outflow. Inherent in all ages, modern people follow suit, or follow the trend, without any change, or more thinking, secretly more force. Glorious power, in this bourgeoisie, cum merging, force Yu Zhu Ming, effective in Huang Shan Valley, meaning