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任何造型艺术,都有它们共同的美的规律和自身美的法则。高句丽纹饰也是如此。它既是对自然的描摹,却又不是一味的照抄照搬,它既有与绘画艺术一致的追求,而又不完全相同。本文从高句丽纹饰的“形”、“意”、“神”来分析它的艺术价值和与中原的密切联系。
Any plastic art has its own common law of beauty and its own beauty. Goguryeo decoration is also true. It is not only a description of nature, but not blindly copying copy, both with the same pursuit of the art of painting, but not exactly the same. This article analyzes the artistic value of Goguryeo and its close connection with the Central Plains from the “Shape”, “Meaning” and “God” of the Koguryo decoration.