和大部分的画家相比,在陈文波的最新的绘画作品中越来越呈现出一种“都市诗学”的性质。所谓的都市诗学的特征是指在陈文波的绘画中,在画面的主题和意义被消解,视觉的确定性被模糊之后诞生出的一种奇特的情绪性。而这种情绪性恰恰是当代艺术中在不断追逐明确的观念的过程中所丧失掉的。在某种程度上,他甚至印证着一个新的心理学层面在中国当代艺术中的确立。在这些绘画作品中,没有人出现,只有场景,仿佛是一个没有演 Compared with most of the painters, Chen Bowei’s latest paintings are showing more and more “urban poetics.” The so-called characteristic of urban poetics refers to a peculiar emotionality born in Chen Wenbo’s painting after the theme and meaning of the picture are dissolved and the visual certainty is blurred. And this kind of emotionality is precisely lost in the process of pursuing the explicit concept in contemporary art. To some extent, he even confirms the establishment of a new psychology level in contemporary Chinese art. In these paintings, no one appears, only the scene, as if there is no performance