张爱玲生命早期对母亲的爱几乎到了痴迷的程度,但是当她17岁回到母亲身边时,由于钱的压力,母女关系开始紧张,张爱玲对母爱开始失望。因此,在她的作品中就塑造了令人失望的母亲形象。这在《倾城之恋》、《半生缘》、《金锁记》、《花凋》中表现得尤为突出。这些母亲由于金钱因素和本身性格的扭曲,破坏儿女们的幸福,成了文学史上特殊的“罪恶母亲”。 Eileen Chang’s love for her mother was almost obsessed during her early life. But when she returned to her mother at the age of 17, her relationship with mother and daughter began to get tense due to the pressure of money. Zhang Ailing began to feel disappointed with her motherly love. As a result, she has created a disappointing image of her mother in her work. This is particularly prominent in “Allure Love”, “Half-Life”, “Golden Lock”, “Flower withered”. These mothers, destroyed by the distortions of money and their own characters, undermined their children’s happiness, became the special “sinister mother” in the history of literature.