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作为60一代都市水墨画的重要探索者,张江舟不断挖掘、尝试着中国画固有材料所能表现出的适合现代人审美趣味的新形式.其所取得的成绩有目共睹。在探索新形式的同时,他也一直理性地思考着处于现代文化体系中的传统中国画,如何面对都市文化的冲击而能够保持新鲜的活力,并真正地融入到当代人的文化生活之中。付京生作为中国画史论研究的资深学者,他与张江舟的对话,对于探索传统中国画如何向现代转型,无疑具有一定的启发意义。
As an important explorer of the 60th generation of urban ink and wash paintings, Zhang Jiangzhou constantly digs and tries new forms suitable for the aesthetic taste of modern people that can be exhibited by the inherent materials of Chinese painting. While exploring new forms, he has also been rationally thinking about how traditional Chinese paintings in the modern cultural system are able to maintain their fresh vitality in the face of the impact of urban culture and truly integrate into the cultural life of contemporary people. As a senior scholar who studies the history of Chinese painting, his dialogue with Zhang Jiangzhou undoubtedly has certain enlightenment for exploring how to transform the traditional Chinese painting into a modern one.