审视自己多年来的书法学习,我一直注重书法审美理念的提升,加强对书法美学、书法史论的学习与体验,坚持对古代碑帖的反复临习,深入挖掘经典碑帖的价值,保持常临常新的感觉;从当代成功的大家那里吸收营养,从书友处借鉴经验,保持开放和接纳的状态。创作时总是带着找问题、找差距的想法和方法进行。平时各种笔记保持与毛笔字相一致,创作前也总是先用钢笔打草稿,把大概的布局和一些偏僻字的繁体、行 Looking at my years of studying calligraphy, I have been paying attention to the aesthetic concept of calligraphy to enhance the study of calligraphy aesthetics and the history of calligraphy and experience, adhere to the ancient rubbings of repeated internship, digging the value of classic rubbings, to maintain normal New feeling; absorb nutrients from the people who are successful in the present era, draw lessons from book friends, and remain open and acceptable. Creative always with the problem and find the difference between ideas and methods. Usually a variety of notes to maintain consistent with the brush writing, writing is always always preceded by a pen draft, the general layout and some remote words of the traditional,