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《贵州卷·印染篇》是《中国工艺美术全集》251卷的其中一部,虽然只有17万字,但它从中国印染的起源,工艺发展和贵州传承等方面详尽记录了这门工艺的历史源流和在贵州分布。它引用了大量的历史文献,从民族迁徙的角度,对贵州少数民族是我国最早从事和运用印染进行了逻辑的界定。如果说这些界定可以从文献中找到答案,那么对贵州印染工艺、纹样符号的详尽记录和文化的分析解读,则是本书最为炫目的亮点。
“Guizhou Volume · Printing and Dyeing Articles” is one of the “Chinese Arts and Crafts 251” volumes, although only 170,000 words, but it from China’s dyeing and printing of the origin, process development and inheritance of Guizhou and other aspects of the historic origin of the process recorded And distributed in Guizhou. It cites a large number of historical documents. From the perspective of national migration, it makes a logical definition of the ethnic minorities in Guizhou who are the earliest engaged and applied printing and dyeing in our country. If these definitions can be found from the literature, then the printing and dyeing process in Guizhou, a detailed record of patterns and cultural interpretation of the interpretation of the interpretation of the book is the most dazzling highlight of this book.