著作权这一概念最早可以追溯到18世纪的法国,是当时为了保护作者的表演权利而建立。接下来经过不断的修改和推陈出新,体系越来越成熟,成为了现代一门重要的法律。马克思曾在《共产党宣言》中提出“消除私有制”。本文认为可以中国音乐市场为例,结合马克思主义法哲学,探究著作权问题。 The concept of copyright, dating back to the 18th century in France, was established at the time to protect the rights of authors. Then, after constant revision and innovation, the system has become more and more mature and has become an important modern law. In “The Communist Manifesto,” Marx proposed “eliminating private ownership.” This paper argues that the Chinese music market can be taken as an example to explore copyright issues in combination with Marxist jurisprudence.