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继2009年的《淘气包马小跳》之后,黄军再次执导的动画电影《马小乐之玩具也疯狂》(以下简称《马小乐》)受到成年观众和儿童观众的关注。该片从儿童的视点出发,以诚意之心为小学生代言,呼唤将儿童从繁重的课业当中解救出来,将快乐和童真还给孩子,并以时空穿越的艺术手法让父母子女进行换位思考,不仅填补了中国动画电影现实主义题材的空白,开拓了国产动画电影的创作思路,同时还引发成人观众进行亲子观念的反思,体现了难能可贵的社会担当精神。一、以现实主义精神为儿童代言动画电影在表现梦想与魔幻世界方面具有先天
Following the 2009 “Naughty Kit Ma Hop”, Huang Jun once again directed the animated film “Ma Yue music toys are crazy” (hereinafter referred to as “Ma Yue”) by the adult audience and children’s attention. The film from the perspective of children, with sincerity for the endorsement of primary school students, calling for children to be rescued from the arduous course of study, the joy and innocence returned to their children, and time and space through art techniques for parents and children empathy, It not only fills the blank of the theme of Chinese animated film realism, opens up the creative thinking of domestically produced animated films, but also causes the adult audience to reflect on the idea of parent-child, embodying the precious spirit of social responsibility. First, in the spirit of realism for children endorsement Movies in the performance of dreams and the magical world with innate