北宋“翰林图画院”是皇家御用画院，这种“御用”的特性，决定了它的绘画有着自身的创作特性，这在题材上，表现为“院画题材的确定性”和“合乎赵宋统治阶级政教需要的特性”。在画风上，则表现为“院画创作讲究对传统画风的继承和对画院本身所确立的‘体制’画风的师承”以及“院画的创作要合乎皇室宫廷的审美趣味”。上述创作特性在一定程度上限制或泯灭了院画家的创作个性。但是，我们也不能不加分析地一概否定，尤其是在北宋徽宗朝，院画家“竭尽精力，以副上意”，就等于是在探索和完善着新的院画“体制”──“宣和体”画风。 The Northern Song Dynasty “Hanlin Painting Academy” is the royal royal painting academy. This “imperial use” characteristic determines that its painting has its own creative characteristics. This theme shows “certainty of the theme of the courtyard painting” and “ Characteristics of the need of the ruling class ”. On the style of painting, it is expressed as “the inheritance of the traditional painting style and the teacher’s bearing of the ’institutional style’ established in the painting academy itself as well as the aesthetic taste of the imperial court. To some extent, these creative features have limited or eliminated the artist’s individuality. However, we can not deny it without any analysis. Especially in the Huizong Dynasty in the Northern Song Dynasty, the painter painstakingly tried to ”make every effort“ to explore the new system of ” And body "style.