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音乐类非物质文化遗产在弹奏、歌唱等技能方面的口传特性决定了它的无形存在方式,但在推广过程中,此类项目的保护工作却往往需要借助于物质化的手段以进入大众的视野。甚至可以说,物质保存方式已经成为音乐类非物质文化遗产项目最常用的表现形式。在保护工作进程中,非物质文化遗产的物质性意义已经从遗产自身的实物载体延伸到其他物质载体。随着物质方式的完善,需要正视物质性保存与非物质文化遗产的关系。
The intangible characteristics of musical intangible cultural heritage in terms of playing, singing and other skills determine its intangible existence, but in the promotion process, the protection of such projects often requires the help of material means to enter the public Vision. It can even be argued that material preservation has become the most commonly used manifestation of musical intangible cultural heritage projects. In the course of protecting the work, the material significance of the intangible cultural heritage has been extended from its own physical carrier to other material carriers. With the improvement of material methods, we need to face up to the relationship between material preservation and intangible cultural heritage.