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赵武之所以成为孤儿,原因竟是母亲与叔祖有染而导致的一系列家族内乱与复仇所致。当失道的晋灵公被赵盾之弟弑灭之后,赵家在晋国的威势和危机是一比一的比重。赵盾的政敌屠岸贾以此为借口讨伐赵家,这步棋本该是赵盾生前应着力加以防避的政治课题。程婴从一个胆小怕事的民间医生,到甘愿为“救晋国小儿之命”而做和亲生子“一处身死”的义士,再到卧薪尝胆、忍辱负重在敌人家中求生,成为暗中呵护“小主人”长大的垂垂老者,这其间承载着多少类似程婴这样的忠义之士的生存智慧、刚正秉性以及人性光辉。在元杂剧《赵氏孤儿》的海外传播中,可以看到的是,作为中国戏曲本身在主题和创作上介入当时当地的现实参照之后,所呈现出的艺术能量。
The reason why Zhao Wu became an orphan was the result of a series of clashes and revenge caused by the clashes between his mother and uncle. When the loss of the Jin Ling Gong Zhao Zhao brother was destroyed, the Zhao power and crisis in Jin is a one-to-one ratio. Zhao Dun’s political opponent Tuanku Jia as an excuse to crush Zhao, this move is supposed to be the shield of Zhao before his death to avoid the political issues. Cheng Ying from a timid afraid of folk doctor to be willing to “save the country’s children’s life,” and to do with their own children, “a dead body” of the righteous, then Revival, bite the bullet in the enemy’s home to survive, become Under the care of “little master ” grow old people, which carries the same number of loyal people like Cheng Ying’s survival wisdom, just nature and humanity glory. What we can see in the overseas dissemination of the Yuan drama “Orphan of Zhao” is that as the Chinese drama itself intervenes in the local real-life reference of the theme and creation at that time, the artistic energy presented.