作为诗人的钟玲，60年代末开始创作，其诗作的主题形态呈现出两个鲜明的指向：一是游子情思与寻根意识的社会主题的探寻；二是两性间情与爱的生命主题的抒写。二者构成了钟玲诗歌创作的主要诗思流向。“无根”而“寻根”是中国断裂历史时代从大陆到台湾或者再由台湾飘落到异邦的“流浪的中国人”共有的一种漂泊与回归的文化心态。他们在其文学艺术传达中表现出无根的忧伤、断根的失落以 As a poet, Zhong Ling began to write at the end of the 1960s. His poems show two distinctive themes: one is the exploration of the social theme of wandering and root-seeking; the other is the writing of the theme of life between two sexes. Both constitute the main stream of poetry of Zhong Ling’s poetry. “Rootlessness” and “root-seeking” are cultural attitudes common to both “wandering Chinese” who have traveled from mainland China to Taiwan or from Taiwan to other nations in the period of the rupture of history in China. In their communication of literature and art, they showed their rootless sorrow and their loss of roots