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19世纪欧洲和俄国史学中都存在着大量有关东方文化的僵化特征。俄国文化理论是在欧洲学者的影响下发展起来的,但其中的东方形象并不和欧洲观点完全一致。19世纪俄国学者试图打破僵化模式的尝试为未来有关东方文化的评价和它在世界史中的地位的重要转变奠定了基础。文化平等的观点在20世纪开始发挥效力,它为创造复杂、多面的东方形象,以及修正现代的有关停滞的传统观念提供了可能。
In the nineteenth-century European and Russian historiography, there were a large number of rigid characteristics of oriental culture. The theory of Russian culture developed under the influence of European scholars, but the oriental image of it is not exactly the same as that of Europe. Attempts by the Russian scholars of the 19th century to attempt to break the rigid model lay the foundation for a future important assessment of the oriental culture and its place in world history. The idea of cultural equality started to take effect in the twentieth century and provided the possibility of creating a complex and multifaceted image of the East and of amending the modern, stalled traditional notions.