康有为在《广艺舟双楫》中说:“晋人之书,流传曰帖。其真迹至明,犹有存者。故宋元明人之为帖学,宜也。”“流及国朝,则不独六朝遗墨不可复睹,即唐人钩本已等凤毛矣。故令日所传诸帖,无论何家,无论何帖,大抵宋明人重钩屡翻之本,名虽羲献,面目全非,精神尤不待论。”其实康氏的这一观点,早在明末清初早已产生,当时大书家傅山、郑谷口等皆对碑法产生浓厚的兴趣,以致影响自己的 Kang Youwei said in the book entitled “The Double Boat of the Guang Yi Zhou”: "The book of the Jin people spreads through the posts, and its authenticity is still unknown to the public. No matter what post, no matter what posts, probably the Song Ming heavy doubled repeatedly, the name of Xi Xian, beyond recognition, beyond recognition, In fact, Kang’s view, as early as the late Ming and early Qing has long been produced, when the big calligraphers such as Fu Shan, Zheng Tan Kou and so on have a strong interest in the monument, so affect their own