清代中期常熟戏曲家周昂在戏曲评论中,对戏曲理论的总结归纳既继承了前人的优秀成果,又有自己独特的见解。他将“本色”视为戏曲语言的最高追求,从戏曲语言的个性化、口语化两个方面阐述了戏曲语言的“本色”观,是对明清以来戏曲语言“本色”观的深化和拓展。 In the middle of the Qing Dynasty, Changzhou opera composer Zhou Ang summarized the theory of opera in the commentary of the opera both inheriting the outstanding achievements of his predecessors and his own unique opinions. He regards “character ” as the highest pursuit of Chinese opera language. From the two aspects of individuality and colloquialization of opera language, this thesis expounds the view of "character The deepening and expansion of the concept.