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中唐以后,中国古典诗歌创作整体进入范古时期。从宋代至明代,范古模式经历了由江西诗派诗法之学到明七子派格调论的演进。诗法之学强调对古代典范作品语言及诗意构成方式作知识学研习,指向一种多样化的创作尝试;格调论着重于格调意趣的整体领悟,标举一种浑朴圆融的审美境界,以各体诗的原初形态为高格正体加以追摹。这两种范古模式的矛盾代表着不同时代的诗学旨趣。
After the middle period of Tang Dynasty, the whole Chinese classical poetry writing entered the ancient period. From the Song Dynasty to the Ming Dynasty, the Fanghu model experienced the evolution of the style of the Ming Seventh Son of Confucianism learned from the poetics of the Jiangxi poetic school. The study of poetry and law emphasizes the study of the language and poetic composition of the ancient works of art as a kind of diversified creative attempt. The style theory focuses on the overall comprehension of style and mood, The original form of each poem is to be traced by Gogo. The contradiction between these two models of the ancient van represents the poetic interest of different ages.