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我国佛教造像是一种艺术,其形象多异,变化多端。佛教的兴盛引起了佛教造像艺术的兴盛,如戴氏父子的雕像艺术,顾恺之为代表的绘像艺术等,佛教造像丰富了中国画家们艺术创作的题材和技巧。文中通过对佛教造像的民族化,佛造像的男相女性化,佛教造像的人间化和佛雕题材与道教传说相结合四个方面进行分析,从而体现中国佛教造像审美的现实性和艺术性。
Buddhism in our country is a kind of art, its image is varied and varied. The rise of Buddhism has aroused the prosperity of Buddhist statues, such as the statue art of Dai’s father and son, and the painting art represented by Gu Kaizhi. Buddhism statues enrich the themes and skills of Chinese artists’ artistic creation. Through the analysis of the nationalization of Buddhist statues, the masculine feminization of Buddhist statues, the humanization of Buddhist statues and the combination of Buddhist sculptures and Taoist legends, the aesthetic reality and artisticness of Chinese Buddhist statues are reflected.