我常为此感叹:功利与贪欲的驱使,使得当今的书画领地上乏善可陈,形同垃圾的东西比比皆是。相反的是:值得我们去认真品鉴的精品可谓是凤毛麟角。刚出炉不久,置于我书案上的这本《朱建忠画集》正属于“凤毛麟角”一类。我被分配到南艺教书时(1981年),朱建忠尚未毕业离校。可再次相识,却已是二十多年以后的事。那年,我去南通策划展览,初次走进了他的画室,读过他的不少作品后,不觉眼前一亮。后来,又多次读到他的作品,印象便渐渐深刻起来。在我的心目中,他是一个与众不同的“真画者”。为人低调,不喜应酬,不玩文字,沉静寡言,只是一门心思地画他的画。他对自己的要求近乎苛刻,画不到“位”的作品绝不示人。凡可以示人的作品则几乎件件都是精品。唯精品值得品鉴。古人云:文章如日月,终古常见而光景常新(李文饶),绘 I often lament: driven by utilitarianism and greed, making the current calligraphy and painting territory lackluster, the same garbage things abound. The opposite is: It is rare for us to go to fine quality products can be described as rare. Just released soon, placed on my book case of this “Zhu Jianzhong painting set” belongs to the “rare” category. I was assigned to teach in South Arts (1981), Zhu Jianzhong not yet graduated from school. Can be met again, but it is more than 20 years later. That year, I went to Nantong to plan the exhibition for the first time into his studio. After reading many of his works, I did not realize what was going on. Later, after reading his works again and again, the impression gradually deepened. In my mind, he is a distinctive “real painter ”. Low-key people, dislike social entertainment, do not play the text, silent, just a thought to draw his paintings. His demands on himself are almost harsh, and his works can not be painted. Everything that can show people is fine. Only boutique worth tasting. An old saying: Articles such as the sun and the moon, the last common and often new (Li Wenrao), painted