自去年以来,吴冠中与张仃的“笔墨之争”成为美术界的话题焦点,而且如今日益有星火燎原之势,这其中虽然有传媒炒作助推之嫌,但同时也反映了九十年代末沉寂的中国绘画界和理论界在思想贫乏、失去目标之后对新的兴奋点的寻找。 Since last year, the “pen and ink fight” between Wu Guanzhong and Zhang Ding has become the focus of the art world. Now, there is a growing trend of sparkling fire. Although there are too many media speculations promoting it, it also reflects the silence of the late 1990s Chinese painting and theorists look for new excitement points after they are poor in thought and lose their goals.