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镜子的那一边一个被梦想遗弃而终日与酒为伍的边缘人——卢,一个背负家庭破碎阴影却依然纯真的少女——桑妮。两人在兼具堕落与希望的纽约相遇了,他们能否找到心中的乐园? 咎井淳的画风与多田由美很相似,以简洁的线条和单纯的画面见长。除《镜子的另一边》外,还收有《99朵玫瑰》、《星星的葬礼》和《PEGGY》三个短篇。可乐比较喜欢其中的《PEGGY》和《99朵玫瑰》。尤其是《99朵玫瑰》,让我真正见识到什么叫做“自作多情”^O^。印刷和版本都不错,如果遇到可以买回家品味一下。
On the other side of the mirror was a marginal person who was abandoned by dreams and fell in love with wine all the time - Lu, a girl who was still innocent with a family broken shadow - Sanny. The two met in New York, which was both degenerate and hopeful. Can they find the paradise in their hearts? The style of Sakai’s works is similar to that of Tada Yumi, and she is known for her simple lines and simple pictures. In addition to the other side of the mirror, there are three short articles entitled “99 Roses,” “The Funeral of the Stars,” and “PEGGY.” Coke prefers PEGGY and 99 roses. Especially “99 Rose”, let me really see what is called “self-love” ^ O ^. Both the printing and the version are good, if you can come home to taste it.