传统是一个过程,它不应当是凝固的,我们今天所创作的正是明天的传统。这次创作中,我并没有直接就构图选题材,而是花费一周静下心来思考,到底画什么?应该怎么画?最后将传达怎样的心境?目的很明确,下笔前胸有成竹。亲近自然,走进生活。艺术来源于生活,是生活的再现,没有生活的艺术就是无源之水,只有有生活的艺术才是能感染人的艺术。我选择婚姻中的女性为主题,那些已婚女性对新生活的展望和对另一半未来幸福的期盼。我从图书馆,网上,摄影馆寻素材,经过反复推敲,决定选择女性背后牵手这一姿态。不是刻画婚姻中的男女,而是给人留下空白,主角只是千万婚姻中爱人的缩影。我在画面构成同样的融入了诸多现代气息,如高楼大厦,轨道,路牌,天桥。在色彩的融合中将传统构成图式的美感与几何形体抽象景物交汇一起,使画面构成既有空间营造相关,又利用平衡不平衡的变异和合理组合,以及相对写实与主观抽象的相互映衬,在有序展开的浓淡纷呈中构成了一种极具现代气息的视觉和弦,从而使重彩人物作为主题的艺术创作图式达到了由物象到心象的转换。 Tradition is a process, it should not be frozen, and what we create today is tomorrow’s tradition. In this creative work, I did not directly compose the selected topics, but spent a week thinking about what to paint, what should I draw, and finally what kind of state of mind would I convey? Close to nature, into life. Art comes from life and is a reproduction of life. Art without life is water without source. Art with life is the art that can infect people. I chose women in marriage as the theme, those married women’s prospects for a new life, and the hope for the happiness of the other half. I looked for material from the library, the internet, and the photo gallery. After repeated scrutiny, I decided to choose the gesture behind the woman’s hand. Instead of portraying the men and women in marriage, they give people a blank space, and the protagonist is only a microcosm of the lover of millions in marriage. I am in the picture composition of the same into a lot of modern flavor, such as high-rise buildings, tracks, street signs, flyover. In the fusion of colors, the traditional beauty of the schema and abstract abstract objects of the geometric shapes are brought together to make the images constitute the existing space to create the correlation, and the balanced and unbalanced variations and reasonable combinations are used to reflect the relative realism and the subjective abstraction. In the orderly development of the shades constitute a highly modern visual chord, so that heavy people as the theme of the creative arts to achieve the image from the image to the conversion.