左权小花戏审美范式形成的文化环境探究

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审美范式不仅制约于一定的时空范围,而且是反映一个时代人们审美价值观最为普遍的共性和基本特性。山西左权小花戏审美范式可高度概括为“一小、二花、三有戏”。“一小”是指演出的场地小、节目短小、表演角色的年龄小。“二花”指舞蹈步法和表演时所用的道具扇子扇花花哨。“三有戏”指具有戏剧性,每个节目都有故事、情节和人物。而这种审美范式的形成,既有着特殊的历史条件和地理环境,又有着独特的人文环境。 The aesthetic paradigm not only restricts to a certain range of time and space, but also reflects the most common common sense and basic characteristic of people’s aesthetic values ​​in an era. Shanxi Zuoquan floreal drama aesthetic paradigm can be highly summarized as “a small, two flowers, three play ”. “A small ” refers to the performance of small venues, short shows, the acting age. “Two flowers ” refers to the dance steps and performance fan props fan fancy. “Three plays ” refers to the dramatic, each program has a story, plot and characters. The formation of this aesthetic paradigm not only has special historical conditions and geographical environment, but also has a unique human environment.
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