“成功与不足”——对珠影厂一九八二年故事片创作的我见

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一九八二年,珠影厂顺利完成了《梅岭星火》、《山菊花》、《三家巷》(上、下集)、《在这块土地上》、《张灯结彩》、《喜鹊岭茶歌》、《东方剑》、《逆光》等九部故事片,比原计划超额两部。而且,与一九八一年相比,艺术质量也有所提高。如《梅岭星火》,不仅在银幕上真实地再现了重大的革命历史事件,而且成功地塑造了陈老总这样一个有诗人气质的、既是将军又是普通人的新的典型形象。影片的编导按照生活的本来面貌,以质朴无华的表现手法,通过巧妙的艺术构思、鲜明的细节描绘,揭示了主人公丰富的内心世界,使陈毅的银幕形象亲切可信,有血有肉。又如根据冯德英长篇小说改编摄制的《山菊花》,也本着‘清水出芙蓉’的精神,从四十多万字的小说中‘抽出一条筋’来,着力刻画了桃子这样一个朴实,感人的艺术形象。新片《逆 In 1982, Pearl Film Factory successfully completed the “Meiling Spark”, “Mountain Chrysanthemum”, “Three Alley” (on the set), “on this piece of land”, “ Ling Tea, ”“ East Sword, ”“ Backlight ”and other nine feature films, two more than the original plan. Moreover, the quality of art has also been raised compared with 1981. Such as “Meiling Spark”, not only on the screen to reproduce the true revolutionary historical events, but also successfully shaped Chen poet poet temperament, both generals and ordinary people’s new typical image. In accordance with the original appearance of life, the director of the film depicts the hero’s rich inner world with clever artistic concepts and vivid details, revealing the intimate, credible and flesh-blood of Chen Yi’s screen. Another example is the “Mountain Chrysanthemum” adapted from the novel by Feng Deying, and from the spirit of “Clear Water and Hibiscus,” taking out a piece of tendon from the novels of more than 400,000 words, trying hard to depict a simple and touching peach Artistic image New film "inverse
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