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那是在上世纪1979年,期刊的出版发行再度兴起,我们单位来了久违的报刊征订目录。那时我正好是26岁的小伙,本该长知识的时候历经“文革”文化沙漠,见到征订目录上所列的期刊真有如饥似渴的感觉。当时我是个初级美术爱好者,喜爱涂涂沫沫,写写画画,自然首选《美术》杂志,但是那时的紧俏杂志都是“限额”的,《美术》杂志就在其列。正如后来的新邮预订,只有老订户和有关方面才有资格订阅。一气之下,就把目光盯住了新创刊的《世界美术》,我与同事们调侃说:“不让订中国《美术》,那就订《世界美术》吧。世界包含了中国,这本杂志肯定不赖!”
That was in the last century, 1979, the publication of the issue of journals once again rise, our unit has come a long way back catalog subscription. At that time, I happened to be a 26-year-old guy who, after a long period of knowledge, went through the “Cultural Revolution” cultural desert to see the eulogizing feeling of the journals listed in the subscription catalog. At that time, I was a junior art lover who loved to paint and write paintings. Naturally, Art magazine was the first choice, but then the tight magazines were all “quotas” and the magazine Fine Art was on its list. As later New Post reservations, only old subscribers and related parties are eligible to subscribe. At a stretch, I glanced at the newly-launched “World Art,” and my colleagues joked: “If you do not set China’s” fine arts, “set” world art. “The world includes China. This magazine confirms not bad!”