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中国山水画以水墨黑白为主体,但是却并非完全的单色调,尽管有的画家追求黑白的匹配,中国山水画依然并非完全的黑白世界,比如说墨绿色和红褐色的应用就是较为常见的配色,尽管可能是一点点,但是却让黑白世界增色不少,然而中国山水画归根结底还是以黑白配色为主,主要是在有些部分需要倾注一点笔墨来完成最后的点睛,本文围绕中国山水画中的红色与黑色来展开研究,探讨留白后黑色的笔墨风韵同时,对画龙点睛却极为稀有的红色进行阐释,尤其是将红与黑的关系阐明,从而以一种新的视角来完善中国山水画红与黑的关系。
Chinese landscape painting is mainly black and white ink and wash, but it is not entirely monochromatic. Although some painters pursue black and white matching, Chinese landscape painting is still not completely black and white. For example, the application of dark green and reddish brown is the more common color matching. It may be a little bit, but it adds a lot to the world of black and white. However, Chinese landscape painting is mainly based on black-and-white color matching. It is mainly necessary to pour some ink on some parts to finish the finishing touch. This article focuses on the red and black colors in Chinese landscape painting In the meantime, the study explores the black pen and ink charm after leaving the white space. At the same time, it elaborates on the extremely rare red color of the finishing touches, especially clarifying the relationship between red and black, so as to perfect the relationship between red and black in Chinese landscape painting with a new perspective.