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战时中国的形象不仅联系着中华民族的命运 ,也联系着中国作家“与时俱进”的心理。在异族铁蹄蹂躏下 ,在战争飘泊中 ,“中国”一再被作家们凝视、追寻、想象、书写 ,它演化成无数生动的文学形象 ,构成着作家的创作动力 ,从而具有了文化、文学上的本体意义。甚至可以说 ,现代意义上的中国形象的完整呈现 ,开始于战时的中国文学。
The image of wartime China not only linked the fate of the Chinese nation, but also linked the mentality of Chinese writers with “advancing with the times.” Under the ravages of alien iron hooves, “China” has repeatedly been stared, pursued, imagined and written by writers during the war’s wandering. It has evolved into numerous vivid literary figures that constitute the author’s creative motivation, thus having a cultural and literary Ontological significance. It can even be said that the complete presentation of China’s image in the modern sense begins with wartime Chinese literature.