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清代末年所处的19世纪末20世纪初,既是中国由传统的封建社会向近现代社会转型的一个重要历史阶段,也是中国文学乃至中国文化发生重大转型的历史转折期,而梁启超无疑是这一历史时段中最具代表性的人物。作为中国近代文学革新运动的领袖,梁启超参与、主导了近代“诗界革命”、“小说界革命”和“文界革命”。在戏曲创作领域,梁启超对清末戏曲的改良工作也有独特的贡献。尽管从创作水准上讲,梁启超清末戏曲改良并无过高的文学成就,但是,作为近代中国新旧两个世界转型的时代产物,以梁启超为代表的清末戏曲改良的历史功绩是不容抹杀的,其标举的“觉世”、“救心”的戏曲宗旨代表了近代中国反帝反封建的时代强音,它的新旧交织、中西杂糅的“过渡”性质,也为中国戏曲(戏剧)的近现代转型铺平了道路。
The end of the 19th century and the beginning of the 20th century in the late Qing Dynasty were both an important historical stage of China’s transition from the traditional feudal society to the modern society. It was also a historic turning point in the major transformation of Chinese literature and even Chinese culture, Historical figures in the most representative. As the leader of modern literary revolution in China, Liang Qichao took the lead and dominates modern revolutions such as “Poetry Revolution”, “Revolution of Novel” and “Revolution of Wenjie”. In the field of opera creation, Liang Qichao also made a unique contribution to the improvement of drama in the late Qing Dynasty. Although Liang Qichao did not overly improve literary achievement in the late Qing Dynasty, the historical achievements of the late Qing dynasty opera, represented by Liang Qichao, can not be denounced as the product of the transition of the two old and new worlds in modern China. The purpose of the drama, labeled as “World Vision” and “Saving the Heart,” represents the strong voice of the anti-imperialist and anti-feudal era in modern China. Its old and new intertwined, the “transitional” nature of Chinese and Western melodies, and the Chinese opera (Drama) paved the way for the modern transformation.