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战后在日本走红的产业是摩托车与照相机。相机综合国内电子、塑料、金属等产业发展之力,超越德国而登上世界之最,同时使相机从可望不可即的贵重物变成人人可携的家庭日用品,创造了“日本人都带相机”的时代。年逾花甲的处女作增山田鹤子女士第一次按快门是在1975年她60岁那年的秋天。当地决定建座大水库,为了留下将要身没水底的故乡风貌,她要买一架照相机。可是相机价格昂贵,操作复杂,刻度上的数字小而难辨。正当她心灰意冷深感痛惜之际听说了闪光柯尼卡。尔后增山就手拎这种相机,在山里转来转去,终于结出丰硕之果,出版了题名为《故乡》的影集。为研制闪光柯尼卡饱尝酸甜苦辣的柯尼卡相机的技术部长内
The industries that became popular in Japan after the war were motorcycles and cameras. The camera integrates the power of domestic electronics, plastics, metals and other industries to surpass Germany to reach the highest level in the world. At the same time, it has transformed the camera from a valuable thing that cannot be expected into a portable household daily necessities, creating the “Japanese capital The era with a camera. For the first time in the year of 1975 she was 60 years old. The local decision to build a large reservoir, in order to leave the appearance of the hometown will be underwater, she wants to buy a camera. However, the camera is expensive and the operation is complicated. The numbers on the scale are small and difficult to distinguish. Just when she was disheartened and deeply deplored, she heard Flash Konica. Later Zengshan handcuffed the camera and turned around in the mountains, finally bearing fruitful results. He published an album entitled ”Hometown." For the development of the flash Konica’s technology minister who endures the ups and downs of Konica cameras