一、“老少年”归家2016年春夏,“80后”代表作家张悦然携其长篇新作《茧》重返文坛,从《收获》杂志的重磅首发,到单行本的活动宣传,引发了一连串围绕“80后写作”的热烈讨论。自新世纪初作为媒体-文学-商业现象横空出世,十几年来,曾经的“80后青春文学”热潮已渐平息;写作者的名字早已经过种种洗牌重组,一直伴随着争议的“80后”命名,也已为主流文坛和批评话语所接受。事实上,“转 First, the ”old and young“ go home Spring and summer of 2016, ”80 “ on behalf of the writer Zhang Yueran with his new novel ”cocoon“ to return to the literary world, from the Harvest magazine heavy debut, to the activities of the booklet publicity , Aroused a series of heated discussions about writing after 80s. Since the beginning of the new century as a media - literary - commercial phenomenon turned out more than a decade, once the ”post-80s youth literature“ fever has subsided; the name of the author has long been shuffled and restructured, has been accompanied by controversy ”80 after “ naming, but also for mainstream literature and criticism accepted. In fact, ”turn